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    • Page 31

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    • • Understand that if one course is being replaced by another course, it will take its place in all degree programs offered within that department. o For example if COMM 6100 Communication Graphics is being replaced with COMM 6150 Graphic Imaging,...
    • Page 35

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    • • Curriculum Change submissions at the University Level are accepted throughout the year. The committees meet regularly (bimonthly) during the first two months of the school year (September & October). Following that time both the Graduate and...
    • Page 93

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    • “Do not make up other options that are not listed.” By employing stronger wording the user understands that it is not optional. As previously stated Southern Utah University does not have a positive reputation for the coherence and correctness of...
    • Page 45

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    • Young Democrat Turns Candidate 45 at his vacation home in Warm Springs, GA. "Where's my little boy, Jimmie?" asked Governor Roosevelt. "That's what we'd like to know," responded the smiling national president, Tyre Taylor. "He's the treasurer and...
    • Page 84

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    • You have raised your hand in solemn covenant that you will do all that lies in your power to accomplish this object, and we now leave you, with the hllest expectation that you will bend your united and untiring efforts to this purpose with the...
    • Page 53

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    • you do not like it, you do not eat. He also said that because we are doing a neat menu that includes local greens, cheese and honeys, the members would love it if the chef came out after the meal to meet everyone and tell them where he sourced...
    • Page 39

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    • Yes, the organizations on the campus were changed. That is, the activities of the organizations were not as they were other years. To the stories we have heard of the organizations of recent years of the B. A. C. we compare those of this year of...
    • Page 8

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    • years before.I9The city of Winter Quarters (now Omaha, Nebraska), where some of the people from Nauvoo settled, was across the Missouri River on the west bank. Weakened by the long trek, the Inhabitants were plagued by disease but were still able...
    • Page 184

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    • years before and was located in the Knell Bldg. Many of the same people were involved in both the bank and the hlercantile. The bank needed a new building, so they built across the street on the corner, 75 north main, and occupied the southeast...
    • 1898, cash account 7

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    • XCash Account. XMay. It’s like a faithful servent On you I will wait And Ill fear no manner of danger let the storm be eer so greate You waist is slim and slender Your fingers long and small I’m afraid my dearest Polly You wont come at my...
    • Page 105

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    • wrote the following about the accident: "I was husy helping as father went to lift the water out of the kettle, I was right in the road and Pucell hollered to father and said to he careful as the boy was right there. Father lifted up the bucket...
    • Page 9

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 9 K.M. Weiland in her book Outlining your Novel takes the writer step by step through the outlining process. In Chapter One, she answers the questions of should you outline, what are the benefits of outlining, then...
    • Page 5

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 5 Introduction: As a professional writer, nothing bothers me more than having practically everyone I meet tell me that they want to write a best-selling novel. They make it sound like all they have to do is sit down...
    • Page 44

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 44 out that last, best idea that will save himself and everyone around him. But at the moment, that idea is nowhere in sight. We must be beaten and know it to get the lesson. Break into Three (85)—thanks to what...
    • Page 43

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 43 upside down version, the antithesis. These worlds are so distinct that stepping into Act two must be definite. The hero must choose to leave the old world and step into the new one—he is being proactive. This...
    • Page 42

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 42 Appendix Two Plotting by the Numbers Plotting Using Blake Snyder’s Beat Sheet Plotting by the Numbers Blake Snyder, a screen writer divided a screen play into different beats. I’ve changed the numbers so that...
    • Page 29

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 29 There are two rules for Box 4. Hero needs to be heroic—no one else can resolve the story or the author has failed the reader. Hero can perish, but must resolve the major elements of the story before he does Slide...
    • Page 27

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 27 Appendix One Script—Core Concepts—1 hour Slide 1—title—taken from Story Engineering—Mastering the 6 Core Competencies of Successful Writing by Larry Brooks Slide 2—Core competency #1--Concept Slide 3--Concept...
    • Page 23

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 23 crashing down on the hero easier to write. If the writer knows what the mid-point scene is, he can build each scene from the beginning to the mid-point. If the writer know what death and despair scene is—this is...
    • Page 22

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 22 Using the Beat Sheet or how to outline your novel effectively isn’t integral to the actual story. In other words, the reader won’t know if the writer is an outliner or a pantser. A pantser is a writer who just...

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