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Display: 20

    • Page 8

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    • “WE SPARED NO EXPENSE” 8 technological climate. Despite the similarity, however, it is important to note that they also differ in circumstance, but especially on one crucial detail: the first two stories are real accounts in recent news, while the...
    • Page 60

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    • “WE SPARED NO EXPENSE” 60 Sciretta, P. (2015) High-profile researcher made up scientific results. Retrieved November 6, 2015, from http://www.slashfilm.com/colin-trevorrow-jurassic-world-interview/2/ Scott, S. (2015) High-profile researcher made up...
    • Page 55

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    • “WE SPARED NO EXPENSE” 55 However, it is difficult to ignore that a change in the circumstances surrounding the production of the text resulted in such a different message in the content and relevance of the text. Upon further considering, this...
    • Page 54

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    • “WE SPARED NO EXPENSE” 54 stretch to argue that the original Jurassic Park was intentionally critical of the treatment of burgeoning technologies such as genetic modification. As far as the novel, the question is not necessarily whether or not...
    • Page 50

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    • “WE SPARED NO EXPENSE” 50 entirely written out- his character does what seems like a complete turn around in Jurassic World. In the reboot, Wu adopts more of the technology as product frame, and it is ultimately revealed that he has been working...
    • Page 49

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    • “WE SPARED NO EXPENSE” 49 of and experience with digs and dinosaur specimen, Owen has a very hands-on relationship with the technology of the park- the dinosaurs. He does play a slightly more significant role in terms of describing the park, likely...
    • Page 48

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    • “WE SPARED NO EXPENSE” 48 character, as he is depicted as somewhat of a wolf in sheep’s clothing throughout the story, wilfully ignorant of the dangerous path he wishes to pursue with his park. The film Hammond survives, faced with a relieved- if...
    • Page 45

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    • “WE SPARED NO EXPENSE” 45 John Hammond plays easily the most recognizable role in Marx’s social strata to the extent that he is almost a caricature of the wealthy bourgeoisie in the novel. Hammond in the novel is very vocal about his intentions...
    • Page 42

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    • “WE SPARED NO EXPENSE” 42 media make dinosaurs look the way they do because that is what the people believe they look like, or do the people believe dinosaurs look that way because of what they are shown? Interestingly, this theme comes up the most...
    • Page 41

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    • “WE SPARED NO EXPENSE” 41 Technology as Nature’s Enemy The final theme focused on the reality of the park: that while the dinosaurs inhabiting it are living, breathing creatures, they are anything but natural. This theme particularly focused on...
    • Page 37

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    • “WE SPARED NO EXPENSE” 37 the dinosaurs?” Like any theme park, Jurassic World needs to make a profit in order to remain sustainable, and they do not shy away from corporate investors when it comes to their dinosaurs and their park. The people...
    • Page 36

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    • “WE SPARED NO EXPENSE” 36 Jurassic Park film (1993). In the film adaptation, the park’s lawyer, Donald Gennaro, provides a very clear frame for this theme. Worth noting is that the film’s Gennaro is the marriage of the novel’s Gennaro character and...
    • Page 18

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    • “WE SPARED NO EXPENSE” 18 “ideology and truth cannot be neatly distinguished” (trans. 1997, p.234). Art essentially comes to serve as a vehicle for the ideologies of the time it was created. However, Adorno also explains that this resistive quality...
    • Page 93

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    • “Do not make up other options that are not listed.” By employing stronger wording the user understands that it is not optional. As previously stated Southern Utah University does not have a positive reputation for the coherence and correctness of...
    • Page 1

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    • “ ‘My Hamlet can beat up your Hamlet’ is not it”- Philosophies and Practices of Theatre Teachers in an Academic Theatre Competition. A Thesis submitted to Southern Utah University In partial fulfillment of the requirements for the degree of Master...

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