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Display: 20

    • Page 8

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    • “WE SPARED NO EXPENSE” 8 technological climate. Despite the similarity, however, it is important to note that they also differ in circumstance, but especially on one crucial detail: the first two stories are real accounts in recent news, while the...
    • Page 7

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    • “WE SPARED NO EXPENSE” 7 as a “publish or perish” scientific climate (Scott, 2015). Essentially, Ahimastos was presented with a choice, one that appeared easy from a distance, but was no doubt a difficult one to make at the time, and with the...
    • Page 6

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    • “WE SPARED NO EXPENSE” 6 “’You know what’s wrong with scientific power?’ Malcom said. “It’s a form of inherited wealth. And you know what assholes congenitally rich people are.’” —Michael Crichton, Jurassic Park, p. 306 Challenges in Modern...
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    • “WE SPARED NO EXPENSE” 55 However, it is difficult to ignore that a change in the circumstances surrounding the production of the text resulted in such a different message in the content and relevance of the text. Upon further considering, this...
    • Page 54

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    • “WE SPARED NO EXPENSE” 54 stretch to argue that the original Jurassic Park was intentionally critical of the treatment of burgeoning technologies such as genetic modification. As far as the novel, the question is not necessarily whether or not...
    • Page 50

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    • “WE SPARED NO EXPENSE” 50 entirely written out- his character does what seems like a complete turn around in Jurassic World. In the reboot, Wu adopts more of the technology as product frame, and it is ultimately revealed that he has been working...
    • Page 49

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    • “WE SPARED NO EXPENSE” 49 of and experience with digs and dinosaur specimen, Owen has a very hands-on relationship with the technology of the park- the dinosaurs. He does play a slightly more significant role in terms of describing the park, likely...
    • Page 48

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    • “WE SPARED NO EXPENSE” 48 character, as he is depicted as somewhat of a wolf in sheep’s clothing throughout the story, wilfully ignorant of the dangerous path he wishes to pursue with his park. The film Hammond survives, faced with a relieved- if...
    • Page 46

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    • “WE SPARED NO EXPENSE” 46 cases, the technology Nedry tries to make off with is essentially what hinders his success: he meets his end from the venom of a dilophosaurus. As I have already mentioned in my analysis, one of the most notable character...
    • Page 40

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    • “WE SPARED NO EXPENSE” 40 criticism. These sorts of phrases suggest that the investment of wealth into the technology is enough to ensure the product is good. What he does not account for is that the wealth gives him no real control. This...
    • Page 34

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    • “WE SPARED NO EXPENSE” 34 real; Jurassic World is a technologically advanced sideshow. They are not concerned with reality, but that they have “something scary and easy to pronounce” so that they do not alienate visitors from their show. It should...
    • Page 32

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    • “WE SPARED NO EXPENSE” 32 Hammonds own intentions toward the park- it is strictly viewed as an amusement park, if an advanced one. This theme is particularly interesting in the context of the book, as it calls back to the original argument Crichton...
    • Page 31

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    • “WE SPARED NO EXPENSE” 31 easily explain Jurassic Park. For example, to demonstrate the great impact of the park and the extensive work and costs behind its construction and maintenance, competitor Lewis Dodgson explains to Jurassic Park’s computer...
    • Page 30

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    • “WE SPARED NO EXPENSE” 30 Analysis of Themes and Context Analysis of the chosen artifacts yielded four separate themes that were consistent across each text. While each individual text likely had themes that were unique to that narrative, I chose...
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    • “WE SPARED NO EXPENSE” 26 Marxist analysis in literature available), and it is therefor reasonable to expand this quality to dialogue (Eagleton, 1976). Narrative dialogue, therefore, must be treated as such. This method of rhetorical analysis also...
    • Page 25

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    • “WE SPARED NO EXPENSE” 25 see whether or not the original message is preserved through each iteration, or whether that message is altered to suit each new medium and each new rhetorical situation. In order to best examine message content in the...
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    • “WE SPARED NO EXPENSE” 22 Welcome to Jurassic Park Jurassic Park has impacted the world of science fiction long enough that many individuals have provided a plethora of supplementary para-texts to support and discuss the original film. The series...
    • Page 21

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    • “WE SPARED NO EXPENSE” 21 older works which laud now-outdated technologies as “revolutionary” might quickly lose relevance and become passé to the point of hilarity, yet, as in the case of Frankenstein such works are still studied and discussed at...

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