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    • Page 47

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    • “WE SPARED NO EXPENSE” 47 the more technical aspects, while his role is mostly given to the animated “Mr. DNA” in the film, and he presumably leaves the island as soon as the main conflict begins. While the ensemble characters fit quite neatly into...
    • Page 44

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    • “WE SPARED NO EXPENSE” 44 how the themes are actually established and used in the narrative. As I have stated previously, I intend not only to identify the prominent themes in my analysis of the texts, but also how these themes relate to Marxist...
    • Page 39

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    • “WE SPARED NO EXPENSE” 39 developmental environment.” (p. 109). In controlling these factors, the scientist can say with certainty that all of their dinosaurs begin life as female, and two female dinosaurs simply cannot conceive on their...
    • Page 34

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    • “WE SPARED NO EXPENSE” 34 real; Jurassic World is a technologically advanced sideshow. They are not concerned with reality, but that they have “something scary and easy to pronounce” so that they do not alienate visitors from their show. It should...
    • Lambs, Champion fat

    • Sheep; Livestock; Southwest Utah Livestock Show--Cedar City (Iron County, Utah)
    • Young Lynn Winterton of Kamas (right) who exhibited grand champion lamb at Southwest Utah Livestock Show, beams with satisfaction as his lamb is sold at auction for $3.00 a pound, bringing him $330.00. Lehi M. Jones, purchaser, turned the lamb...
    • Beggar

    • Southern Utah State College; Theater; Utah Shakespeare Festival;
    • Young festival goers trying to wake-up beggar at the Green Show activities at the Utah Shakespeare Festival.
    • Page 9

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 9 K.M. Weiland in her book Outlining your Novel takes the writer step by step through the outlining process. In Chapter One, she answers the questions of should you outline, what are the benefits of outlining, then...
    • Page 53

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 53 Appendix Three Your Suspense Toolbox Macro Suspense Suspense is what is going to happen next to your lead character and does it mean death to the hero. Each scene must end with suspense to keep the reader turning...
    • Page 43

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 43 upside down version, the antithesis. These worlds are so distinct that stepping into Act two must be definite. The hero must choose to leave the old world and step into the new one—he is being proactive. This...
    • Page 42

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 42 Appendix Two Plotting by the Numbers Plotting Using Blake Snyder’s Beat Sheet Plotting by the Numbers Blake Snyder, a screen writer divided a screen play into different beats. I’ve changed the numbers so that...
    • Page 27

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 27 Appendix One Script—Core Concepts—1 hour Slide 1—title—taken from Story Engineering—Mastering the 6 Core Competencies of Successful Writing by Larry Brooks Slide 2—Core competency #1--Concept Slide 3--Concept...
    • Page 20

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 20 Step 4: Additional information. This might not be necessary, but can be added if needed. Lesson 4 This lesson discusses the colors and fonts that work best for a PowerPoint Presentation. Color and text must have...
    • Page 19

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 19 3. It is essential to explain why the number on a slide are important. Take the time to explain charts and graphs. The presenter shouldn’t expect the audience to automatically understand as much about his...
    • Page 18

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 18 Lesson Overview Lesson 1: This lesson teaches the three steps that show to make an outline that ensures that the message is clear and compelling. 1. The presenter needs to decide on the Goal of the presentation....
    • Page 9

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    • WHOLENESS THROUGH JOY 9 Two companies may be similar, and offer the same products or services, but that does not mean that they are the same (Yoon, Gutchess, Feinberg, & Polk, 2006). The misinterpretation of a particular service can convince...
    • Page 8

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    • WHOLENESS THROUGH JOY 8 unintentional imaging from other companies (Madhavaram, Badrinarayanan, & McDonald, 2005). When choosing social media platforms, a company must be aware of the different platforms available to them (Albarran, Chan-Olmsted, &...
    • Page 16

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    • WHOLENESS THROUGH JOY 16 In order to reach an audience that was not part of Stone Path’s regular customer base, there needed to be a shift in marketing. Prior to beginning this project, the owner of Stone Path shared information on the company’s...
    • Page 15

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    • WHOLENESS THROUGH JOY 15 motivated if the event or destination provides something different from what they have (Kotler & Zaltman, 1971). Whether it is something completely foreign or just a little different from products or services they already...

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