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Display: 20

    • Page 27

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 27 Appendix One Script—Core Concepts—1 hour Slide 1—title—taken from Story Engineering—Mastering the 6 Core Competencies of Successful Writing by Larry Brooks Slide 2—Core competency #1--Concept Slide 3--Concept...
    • Page 54

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 54 restaurant and a bomb goes off. Suspense is when the audience sees the ticking bomb under the table and wonders when it will go off. Instant Suspense Microobstacles are a seemingly small incident that occurs in a...
    • Page 27

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !28 function of “validation for the moral order, harmony with ones self, harmony with the universe, and understanding contemporary conditions” (Billions, 1994, p. 156). Archetypes often emerge from...
    • Page 31

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !32 Supercrip. Using the superhero word play, Nelson (1994) explains this to be the illustration of “a heartwarming struggle of someone likeable facing the trauma of a disability” who either “triumphs...
    • Page 45

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !46 contemporary popular culture hero, Robb fits these expectations as well. He is classically handsome with his dark curls, blue eyes, and enough facial hair to give him the rugged American sex...
    • Page 49

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !50 death of the old breed of hero and the strong emergence of the disabled archetype in season one of Game of Thrones suggests the subsequent seasons will exhibit a shift in the hero archetype away...
    • Page 57

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !58 Daenerys Targaryen: If you are Tyrion Lannister, why shouldn't I kill you to pay your family back, for what it did to mine? Tyrion Lannister: You want revenge against the Lannisters? I killed my...
    • Page 59

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !60 Jon: They hate me because I’m better than them. Tyrion: It’s a lucky thing none of them were trained by a master-at-arms like your Ser Roddik. I don’t imagine any of them ever held a real sword...
    • Page 63

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !64 narrative results in the loss of both this physical perfection and sword hand. Building on Kozinsky’s argument that: “the amputation is not the destiny of a character becoming himself; it is...
    • Page 67

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !68 age. Rather than be limited by it, Bran’s character developed outward from his disability. As he is yet to reach maturity, Bran’s masculine identity will be largely formed by his disability...
    • Page 73

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !74 References Adelson, B. M. (2005). Dwarfs: The changing lives of archetypal 'Curiosities'—and echoes of the past. Disability Studies Quarterly 25(3), 1-19. Altschuler, S. (2014). “Ain’t one limb...
    • Page 77

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !78 Nelson, J. A. (1994). Broken images: Portrayals of those with disabilities in American media. In J. A. Nelson (Ed.), The disabled, the media, and the information age (p. 1-24). Westport, CT:...
    • Page 13

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !14 theory as a methodology. Within that section, the archetypes of the disabled character and the medieval hero will be identified and evaluated in terms of their past and contemporary presence in...
    • Page 14

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !15 Mogk makes an argument that disability is prominent in film and television, yet it operates on a subconscious level as symbol, metaphor, and genre, which explains why its “prevalence in popular...
    • Page 15

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !16 disabilities by reinforcing the negative theme prevalent in literature and media that disability is symbolic of evil or villainy. When media do portray disabilities as negative or...
    • Page 17

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !18 disabilities. Part of this humanization is the sexualization of disabled characters that is equal to that of non-disabled characters (Ellis, 2014; Meeuf, 2014). In an interview with Peter...
    • Page 20

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !21 (Henthrone, 2004, p. 73). Henthrone (2004) argues medievalism became the frame through which “traditional values,” specifically regarding gender, were reaffirmed though the “idealiz[ation]” of the...
    • Page 23

    • Television programs; Fantasy fiction; Masculinity; Disabilities
    • REDEFINING MASCULINITY IN HBO’S GAME OF THRONES !24 Sainato (2004) explains desire for flawed heroes illustrates the ongoing shift in heroes of medieval films. The flawed hero more adequately represents the human condition according to Saintao...

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