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    • Zion Cable

    • Zion sawmill
    • Section of frame at top of Zion Cable. This cable is a half mile long and is used to convey lumber down the perpendicular precipice to the valley below. William Louis Crawford is shown at the controls
    • Zion National Park, Three Brothers

    • Zion National Park (Utah); Springdale (Utah)
    • Three Brothers. Hiram Ruesch home at left. James Crawford property at right. This is the location of the present Entrance Station at Zion South Entrance. Photograph was taken prior to 1931 at which time the property was added to the Park
    • Page 5

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 5 Introduction: As a professional writer, nothing bothers me more than having practically everyone I meet tell me that they want to write a best-selling novel. They make it sound like all they have to do is sit down...
    • Page 6

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 6 emotion and dialogue to pitching to an agent, what a writer needs to know about self-publishing, designing a novel cover and how to write a great first page. Those people who teach these classes go through the...
    • Page 7

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 7 hero or protagonist to accomplish. It is usually asked as a question. For example, will Sheba find her namesakes mythical kingdom. The second component is the Story Stakes which explains why the story is...
    • Page 8

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 8 Suspense and Conflict: One of the most important themes is conflict and suspense. Conflict builds suspense. Tension and suspense are the same thing. Amy Deardon in her book, How to Develop Story Tension discusses...
    • Page 9

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 9 K.M. Weiland in her book Outlining your Novel takes the writer step by step through the outlining process. In Chapter One, she answers the questions of should you outline, what are the benefits of outlining, then...
    • Page 10

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 10 the writer made in the very first scene and how if that doesn’t happen then the writer will lose the reader who probably won’t buy another book from that writer. She talks about the ‘very last scene, last...
    • Page 11

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 11 to illustrate his points. He also uses movies that weren’t the success that the producers hoped for to illustrate what happens when ‘Saving the Cat’ isn’t used. The example he used were the two Laura Croft...
    • Page 12

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 12 Story Structure: Larry Brooks’ book Story Engineering covers in some detail all the elements of writing. He says that “neither a killer idea nor a Shakespearean flair for words will get you published without a...
    • Page 13

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 13 young wizard is sent to boarding school where he finds that someone is trying to steal a stone that can give life to the most evil wizard that ever lived. One of the big mistakes that a writer can make is to...
    • Page 14

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 14 seems to favor Peeta and she is pretty much left on her own. Then during the games everything she does goes wrong even when it goes right. When Katnis uses the Killerjaks to take out the group from the capitol...

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