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    • Page 10

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 10 the writer made in the very first scene and how if that doesn’t happen then the writer will lose the reader who probably won’t buy another book from that writer. She talks about the ‘very last scene, last...
    • Page 13

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 13 young wizard is sent to boarding school where he finds that someone is trying to steal a stone that can give life to the most evil wizard that ever lived. One of the big mistakes that a writer can make is to...
    • Page 14

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 14 seems to favor Peeta and she is pretty much left on her own. Then during the games everything she does goes wrong even when it goes right. When Katnis uses the Killerjaks to take out the group from the capitol...
    • Page 18

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 18 Lesson Overview Lesson 1: This lesson teaches the three steps that show to make an outline that ensures that the message is clear and compelling. 1. The presenter needs to decide on the Goal of the presentation....
    • Page 22

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 22 Using the Beat Sheet or how to outline your novel effectively isn’t integral to the actual story. In other words, the reader won’t know if the writer is an outliner or a pantser. A pantser is a writer who just...
    • Page 27

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 27 Appendix One Script—Core Concepts—1 hour Slide 1—title—taken from Story Engineering—Mastering the 6 Core Competencies of Successful Writing by Larry Brooks Slide 2—Core competency #1--Concept Slide 3--Concept...
    • Page 43

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 43 upside down version, the antithesis. These worlds are so distinct that stepping into Act two must be definite. The hero must choose to leave the old world and step into the new one—he is being proactive. This...
    • Page 44

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 44 out that last, best idea that will save himself and everyone around him. But at the moment, that idea is nowhere in sight. We must be beaten and know it to get the lesson. Break into Three (85)—thanks to what...
    • Page 53

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 53 Appendix Three Your Suspense Toolbox Macro Suspense Suspense is what is going to happen next to your lead character and does it mean death to the hero. Each scene must end with suspense to keep the reader turning...
    • Page 42

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 38 Participants Approximately two groups or a maximum total of 50 bilingual English/Spanish students will be selected to participate in this study for the purpose of analyzing their English writing abilities before and after the implementation of...
    • Page 43

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 39 analysis, questionnaires, and surveys. Standardized exams from Prentice Hall’s Pearson 11th and 12th grade textbooks will be used both at the beginning and end of the semester to collect summative test results, which will be both unbiased and...
    • Page 44

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 40 final data analysis. In order to assure that the results are valid (meaningful) and reliable (consistent), the questions will be clear and purposeful. Samples of the instrumentations that will be used for this research are found in Appendix B,...
    • Page 48

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 44 and differences among the academic groups. Third, by explaining any missing or conflicting data. Fourth, by presenting both the quantitative and qualitative data and findings collected for this research while following the order of the three...
    • Page 49

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 45 collected in September using questions created by the researcher through an online testing service (socrative.com), included both open-ended questions and questions based on the Likert scale to determine students’ intent to further their...
    • Page 50

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 46 who they are today; this assignment was more commonly referred to as the “Define Me” essay. Students were provided with a six-category, four-point rubric (see Appendix C) and were assessed based on Introduction, Sentence Structure, Word Choice,...
    • Page 55

    • Writing--Education; Composition (Language arts); College preparation programs; Education, Secondary
    • 51 Table 1 Case Study Participants Native- English Female Students Native- English Male Students Native- Spanish Female Students Native- Spanish Male Students Total Female Students Total Male Students Total: Juniors: 2 2 20 16 22 18 40 Seniors: 1 1...

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