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Display: 20

    • Page 9

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    • “WE SPARED NO EXPENSE” 9 The final obstacle was one that had not changed since the early drafts: the seemingly implausible and impersonal setting that might prevent a reader from investing in the story. Crichton hypothesized that his audience would...
    • Page 6

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    • “WE SPARED NO EXPENSE” 6 “’You know what’s wrong with scientific power?’ Malcom said. “It’s a form of inherited wealth. And you know what assholes congenitally rich people are.’” —Michael Crichton, Jurassic Park, p. 306 Challenges in Modern...
    • Page 53

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    • “WE SPARED NO EXPENSE” 53 the strongest ties to the technology are triumphant, or, at the very least, able to make it out of the park alive. However, these critical messages seem lost in translation after the bridge from novel to film. The Jurassic...
    • Page 48

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    • “WE SPARED NO EXPENSE” 48 character, as he is depicted as somewhat of a wolf in sheep’s clothing throughout the story, wilfully ignorant of the dangerous path he wishes to pursue with his park. The film Hammond survives, faced with a relieved- if...
    • Page 40

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    • “WE SPARED NO EXPENSE” 40 criticism. These sorts of phrases suggest that the investment of wealth into the technology is enough to ensure the product is good. What he does not account for is that the wealth gives him no real control. This...
    • Page 24

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    • “WE SPARED NO EXPENSE” 24 from the original novel that they are more “inspired by” the best-selling thriller rather than “based on.” The original Jurassic Park film is also the only in the series with direct involvement from Crichton himself, since...
    • Page 23

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    • “WE SPARED NO EXPENSE” 23 Method Jurassic Park as an Artifact In response to the posed research question, I will analyze a selection of three artifacts from the franchise: the first Jurassic Park novel, the first Jurassic Park film adaptation, and...
    • Page 13

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    • “WE SPARED NO EXPENSE” 13 Literature Review Marx, Consciousness and the Ideology of Art From the moment Jurassic Park’s protagonists meet, class is a visibly pronounced and crucial force driving the conflict in the narrative. Drs. Alan Grant and...
    • Page 12

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    • “WE SPARED NO EXPENSE” 12 Even with the overwhelming impact of the series, it might seem trivial to argue the minutiae of the operations of a fictional world, but the genre of science fiction has long been subject to this exact brand of discourse....
    • Page 20

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    • younger brothers. They loved tormenting me, teasing me, and challenging me to tennis matches. His stepsisters weren’t exactly my best pals either. Now the dark and moody “older brother” is my coworker. He, too, comments on my over-­‐ dressiness. Is i...
    • Page 51

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    • Young Democrat Turns Candidate heated discussion concerning the public school system. In the early stages of the crisis, a sixty-man committee was appointed to study the problems of the public schools. This committee was composed of men from all...
    • Page 53

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    • you do not like it, you do not eat. He also said that because we are doing a neat menu that includes local greens, cheese and honeys, the members would love it if the chef came out after the meal to meet everyone and tell them where he sourced...
    • Page 52

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    • Yorke Nelson Sigma Kappa RKo Intramural Manager Basketball CKamps College intramurals mis year nave not lacked interest, but they nave lacked the large group of fellows which kave participated in previous years. Tkis is due to tne National Defense...
    • Page 184

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    • years before and was located in the Knell Bldg. Many of the same people were involved in both the bank and the hlercantile. The bank needed a new building, so they built across the street on the corner, 75 north main, and occupied the southeast...
    • 1901, cash account 4

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    • XCash Account. XFebruary.: 26 And God said let us make man in our image, after our likeness etc. Genesis 1. 27 So God created man in his own image, in the image of God created he him; male and female created he them. Gen. 1 2 And he lifted up...

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