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    • Page 91

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    • •|»mimmmimimilllllimmmi|IMimiimilimi!immmillllimmmilimmmmmmilimillllllllllimi!ll!ll!lv£« 1 GOODIE GARDEN 1 C„ onf,e ct.i.o nery nC ompany I| I Try our Delicious Toasted Sandwiches | Chili Con Came I | | | Luncheon Specials | | Malted Milks | | | 1...
    • Page 32

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    • • Please address how this change will affect other courses, programs, and departments. Give careful consideration to this question. When this question is not considered it often leads to additional paperwork to address the problems created by the...
    • Page 26

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    • • If multiple professors will be teaching this course initially please attach resumes of all those scheduled to teach the course. Research the information on availability of rooms, equipment, etc. Do not skip this question with the intent to figure...
    • Page 20

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    • • Begin by filling in the Department/Division that is submitting the change, followed by the College/School, and the date the form is being drafted. • Check the type(s) of changes that will be made. 1. Current Course Prefix & Number: • Fill in the...
    • Page 8

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    • “WE SPARED NO EXPENSE” 8 technological climate. Despite the similarity, however, it is important to note that they also differ in circumstance, but especially on one crucial detail: the first two stories are real accounts in recent news, while the...
    • Page 52

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    • “WE SPARED NO EXPENSE” 52 Conclusion In the convergence of the themes about technology and the narratives about class, it is possible to arrive at a few conclusions about the role of the Jurassic Park franchise as a Marxist text. Each character...
    • Page 50

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    • “WE SPARED NO EXPENSE” 50 entirely written out- his character does what seems like a complete turn around in Jurassic World. In the reboot, Wu adopts more of the technology as product frame, and it is ultimately revealed that he has been working...
    • Page 49

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    • “WE SPARED NO EXPENSE” 49 of and experience with digs and dinosaur specimen, Owen has a very hands-on relationship with the technology of the park- the dinosaurs. He does play a slightly more significant role in terms of describing the park, likely...
    • Page 48

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    • “WE SPARED NO EXPENSE” 48 character, as he is depicted as somewhat of a wolf in sheep’s clothing throughout the story, wilfully ignorant of the dangerous path he wishes to pursue with his park. The film Hammond survives, faced with a relieved- if...
    • Page 46

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    • “WE SPARED NO EXPENSE” 46 cases, the technology Nedry tries to make off with is essentially what hinders his success: he meets his end from the venom of a dilophosaurus. As I have already mentioned in my analysis, one of the most notable character...
    • Page 42

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    • “WE SPARED NO EXPENSE” 42 media make dinosaurs look the way they do because that is what the people believe they look like, or do the people believe dinosaurs look that way because of what they are shown? Interestingly, this theme comes up the most...
    • Page 41

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    • “WE SPARED NO EXPENSE” 41 Technology as Nature’s Enemy The final theme focused on the reality of the park: that while the dinosaurs inhabiting it are living, breathing creatures, they are anything but natural. This theme particularly focused on...
    • Page 40

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    • “WE SPARED NO EXPENSE” 40 criticism. These sorts of phrases suggest that the investment of wealth into the technology is enough to ensure the product is good. What he does not account for is that the wealth gives him no real control. This...
    • Page 39

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    • “WE SPARED NO EXPENSE” 39 developmental environment.” (p. 109). In controlling these factors, the scientist can say with certainty that all of their dinosaurs begin life as female, and two female dinosaurs simply cannot conceive on their...
    • Page 38

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    • “WE SPARED NO EXPENSE” 38 Technology as Control When dealing with enormous, extinct predators thrust into the modern world, it is reasonable to hope that those who created the dinosaurs also have some measure of control over them. Because of this...
    • Page 37

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    • “WE SPARED NO EXPENSE” 37 the dinosaurs?” Like any theme park, Jurassic World needs to make a profit in order to remain sustainable, and they do not shy away from corporate investors when it comes to their dinosaurs and their park. The people...
    • Page 34

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    • “WE SPARED NO EXPENSE” 34 real; Jurassic World is a technologically advanced sideshow. They are not concerned with reality, but that they have “something scary and easy to pronounce” so that they do not alienate visitors from their show. It should...
    • Page 31

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    • “WE SPARED NO EXPENSE” 31 easily explain Jurassic Park. For example, to demonstrate the great impact of the park and the extensive work and costs behind its construction and maintenance, competitor Lewis Dodgson explains to Jurassic Park’s computer...
    • Page 30

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    • “WE SPARED NO EXPENSE” 30 Analysis of Themes and Context Analysis of the chosen artifacts yielded four separate themes that were consistent across each text. While each individual text likely had themes that were unique to that narrative, I chose...
    • Page 27

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    • “WE SPARED NO EXPENSE” 27 criticism, as many Marxist scholars have a background in that field, it is possible to take those concepts and apply them to artifacts of popular culture. When applied to a text, a Marxist critic pays special attention to...

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