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    • Page 85

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    • •>£>miimiimimimiimiiimiimmmiimiiimmiimimmmmmiimmiimmmiimimiimiiimmiiimmimii»3* HEADQUARTERS for COLLEGE GIRLS Jaunty Junior Coats and Suits Carol King and Joan Miller JUNIOR DRESSES H. M. ENDSLEY Dealer Bikes and Parts Radio and Parts Tires and...
    • Page 91

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    • •|»mimmmimimilllllimmmi|IMimiimilimi!immmillllimmmilimmmmmmilimillllllllllimi!ll!ll!lv£« 1 GOODIE GARDEN 1 C„ onf,e ct.i.o nery nC ompany I| I Try our Delicious Toasted Sandwiches | Chili Con Came I | | | Luncheon Specials | | Malted Milks | | | 1...
    • Page 55

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    • • '•' . . • • . • fun. The Hallowe'en party with the spook alley and lots of lively ghosts was loads of And on Sundays we attended church at the Institute regularly. (Supposedly) There were Christmas parties galore; the pajama party at the Dorm and...
    • Page 52

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    • “WE SPARED NO EXPENSE” 52 Conclusion In the convergence of the themes about technology and the narratives about class, it is possible to arrive at a few conclusions about the role of the Jurassic Park franchise as a Marxist text. Each character...
    • Page 50

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    • “WE SPARED NO EXPENSE” 50 entirely written out- his character does what seems like a complete turn around in Jurassic World. In the reboot, Wu adopts more of the technology as product frame, and it is ultimately revealed that he has been working...
    • Page 40

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    • “WE SPARED NO EXPENSE” 40 criticism. These sorts of phrases suggest that the investment of wealth into the technology is enough to ensure the product is good. What he does not account for is that the wealth gives him no real control. This...
    • Page 38

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    • “WE SPARED NO EXPENSE” 38 Technology as Control When dealing with enormous, extinct predators thrust into the modern world, it is reasonable to hope that those who created the dinosaurs also have some measure of control over them. Because of this...
    • Page 36

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    • “WE SPARED NO EXPENSE” 36 Jurassic Park film (1993). In the film adaptation, the park’s lawyer, Donald Gennaro, provides a very clear frame for this theme. Worth noting is that the film’s Gennaro is the marriage of the novel’s Gennaro character and...
    • Page 32

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    • “WE SPARED NO EXPENSE” 32 Hammonds own intentions toward the park- it is strictly viewed as an amusement park, if an advanced one. This theme is particularly interesting in the context of the book, as it calls back to the original argument Crichton...
    • Page 29

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    • “WE SPARED NO EXPENSE” 29 example, Hammond, founder of the park, would take a big business perspective toward the technology, while the scientists at the park may be driven in different directions by both. Finally, as a popular science fiction...
    • Page 25

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    • “WE SPARED NO EXPENSE” 25 see whether or not the original message is preserved through each iteration, or whether that message is altered to suit each new medium and each new rhetorical situation. In order to best examine message content in the...
    • Page 21

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    • “WE SPARED NO EXPENSE” 21 older works which laud now-outdated technologies as “revolutionary” might quickly lose relevance and become passé to the point of hilarity, yet, as in the case of Frankenstein such works are still studied and discussed at...

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