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    • Page 17

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    • Smokescreens, Lies and Deceptions: The Media and the Vietnam War. 12 sources and exercise care to avoid inadvertent error. Deliberate distortion is never permissible” (http://www.spj.org/ethicscode.asp). Kuypers (2006) states, “without the...
    • Page 25

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    • Smokescreens, Lies and Deceptions: The Media and the Vietnam War. 20 platoon. Yet the context of the statement implies that the statement is representative of “most men” in Vietnam. Another example of using sources with tunnel vision occurs...
    • Page 30

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    • Smokescreens, Lies and Deceptions: The Media and the Vietnam War. 25 An outstanding example of the way the filmmakers use emotion is the story of Don Jacques. Following Jacques’ description of a lost comrade in a letter, the narrator adds, But...
    • Page 90

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    • Smokescreens, Lies and Deceptions: The Media and the Vietnam War. 85 00:00:53 18/// 00:01:09 00:01:13 00:01:22 Sue: I don’t know, we were I guess. Johnny: Nope, the ARVNs were. Sue: That’s the South Vietnamese army? Johnny: Yeah, the Army of...
    • Page 91

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    • Smokescreens, Lies and Deceptions: The Media and the Vietnam War. 86 00:01:27 00:01:32 00:01:34 00:01:44 00:01:50 18//// 00:02:02 00:02:11 00:02:16 Sue: Any territory we haven’t taken back? Johnny: Well there’s Lang Vei. A little Special Forces...
    • Page 14

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    • Smokescreens, Lies and Deceptions: The Media and the Vietnam War. 9 …’ depending on which was occurring at the time the story was written). Notice how the subtle differences in the wording changed the framing of the story from a negative story...
    • Page 248

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    • WALTER K . GRANGER Biography 1888 - 1978 Walter Keil Granger was born October 11, 1888, in S t . George, Utah, to Walter and Annie Keil Granger. He served an L . D . S. Mission in Georgia, a f t e r which h e married Hazel Dalley, J u n e 6 , 1912....

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