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  • All fields: American
(1175 results)



Display: 20

    • 1955_001 92

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    • • CEDAR CITY, UTAH DIVISION OF SOCIAL SCIENCES MILTON R. MERRILL, Dean, School of Business and Social Sciences EDWIN L. PETERSON, Chairman POLITICAL SCIENCE msTORY SOCIOLOGY *EDWIN L. PETERSON, Associate Professor; VERN K. KUPFER, Assistant...
    • Page 53

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    • you do not like it, you do not eat. He also said that because we are doing a neat menu that includes local greens, cheese and honeys, the members would love it if the chef came out after the meal to meet everyone and tell them where he sourced...
    • 1901, bills payable 1

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    • XBills Payable. January.: Date. Name. Dolls. Cts. 3069 Clay Engraving Co., of 1220 Boston, Mass. will make a half tone cut 1 ½ x 2 in for .50 cts any subject. will send sample picture for stamp. Ad. in American Boy July 1900. Receivable.:...
    • Page 9

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 9 K.M. Weiland in her book Outlining your Novel takes the writer step by step through the outlining process. In Chapter One, she answers the questions of should you outline, what are the benefits of outlining, then...
    • Page 8

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 8 Suspense and Conflict: One of the most important themes is conflict and suspense. Conflict builds suspense. Tension and suspense are the same thing. Amy Deardon in her book, How to Develop Story Tension discusses...
    • Page 7

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 7 hero or protagonist to accomplish. It is usually asked as a question. For example, will Sheba find her namesakes mythical kingdom. The second component is the Story Stakes which explains why the story is...
    • Page 6

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 6 emotion and dialogue to pitching to an agent, what a writer needs to know about self-publishing, designing a novel cover and how to write a great first page. Those people who teach these classes go through the...
    • Page 59

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 59 Slide 10
    • Page 58

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 58 Slide 8 Slide 9
    • Page 57

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 57 Slide 6 Slide 7
    • Page 56

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 56 Slide 4 Slide 5
    • Page 55

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 55 Slide 2 Slide 3
    • Page 54

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 54 restaurant and a bomb goes off. Suspense is when the audience sees the ticking bomb under the table and wonders when it will go off. Instant Suspense Microobstacles are a seemingly small incident that occurs in a...
    • Page 53

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 53 Appendix Three Your Suspense Toolbox Macro Suspense Suspense is what is going to happen next to your lead character and does it mean death to the hero. Each scene must end with suspense to keep the reader turning...
    • Page 52

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 52 Slide 16
    • Page 51

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 51 Slide 14 Slide 15
    • Page 50

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 50 Slide 12 Slide 13
    • Page 5

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 5 Introduction: As a professional writer, nothing bothers me more than having practically everyone I meet tell me that they want to write a best-selling novel. They make it sound like all they have to do is sit down...

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