Skip to main content

SUU Digital Library

Add or remove other collections to your search:



Narrow your search by:



You've searched: All Collections

  • All fields: (which
(5604 results)



Display: 20

    • Page 31

    •  
    • • Understand that if one course is being replaced by another course, it will take its place in all degree programs offered within that department. o For example if COMM 6100 Communication Graphics is being replaced with COMM 6150 Graphic Imaging,...
    • Page 35

    •  
    • • Curriculum Change submissions at the University Level are accepted throughout the year. The committees meet regularly (bimonthly) during the first two months of the school year (September & October). Following that time both the Graduate and...
    • Page 8

    •  
    • “WE SPARED NO EXPENSE” 8 technological climate. Despite the similarity, however, it is important to note that they also differ in circumstance, but especially on one crucial detail: the first two stories are real accounts in recent news, while the...
    • Page 55

    •  
    • “WE SPARED NO EXPENSE” 55 However, it is difficult to ignore that a change in the circumstances surrounding the production of the text resulted in such a different message in the content and relevance of the text. Upon further considering, this...
    • Page 52

    •  
    • “WE SPARED NO EXPENSE” 52 Conclusion In the convergence of the themes about technology and the narratives about class, it is possible to arrive at a few conclusions about the role of the Jurassic Park franchise as a Marxist text. Each character...
    • Page 47

    •  
    • “WE SPARED NO EXPENSE” 47 the more technical aspects, while his role is mostly given to the animated “Mr. DNA” in the film, and he presumably leaves the island as soon as the main conflict begins. While the ensemble characters fit quite neatly into...
    • Page 44

    •  
    • “WE SPARED NO EXPENSE” 44 how the themes are actually established and used in the narrative. As I have stated previously, I intend not only to identify the prominent themes in my analysis of the texts, but also how these themes relate to Marxist...
    • Page 4

    •  
    • “WE SPARED NO EXPENSE” 4 Abstract As long as we have considered the possibilities of emergent technology, we have written stories in anticipation of their arrival, and as long as we write those stories, we find a great propensity for turning them...
    • Page 34

    •  
    • “WE SPARED NO EXPENSE” 34 real; Jurassic World is a technologically advanced sideshow. They are not concerned with reality, but that they have “something scary and easy to pronounce” so that they do not alienate visitors from their show. It should...
    • Page 31

    •  
    • “WE SPARED NO EXPENSE” 31 easily explain Jurassic Park. For example, to demonstrate the great impact of the park and the extensive work and costs behind its construction and maintenance, competitor Lewis Dodgson explains to Jurassic Park’s computer...
    • Page 27

    •  
    • “WE SPARED NO EXPENSE” 27 criticism, as many Marxist scholars have a background in that field, it is possible to take those concepts and apply them to artifacts of popular culture. When applied to a text, a Marxist critic pays special attention to...
    • Page 26

    •  
    • “WE SPARED NO EXPENSE” 26 Marxist analysis in literature available), and it is therefor reasonable to expand this quality to dialogue (Eagleton, 1976). Narrative dialogue, therefore, must be treated as such. This method of rhetorical analysis also...
    • Page 25

    •  
    • “WE SPARED NO EXPENSE” 25 see whether or not the original message is preserved through each iteration, or whether that message is altered to suit each new medium and each new rhetorical situation. In order to best examine message content in the...
    • Page 23

    •  
    • “WE SPARED NO EXPENSE” 23 Method Jurassic Park as an Artifact In response to the posed research question, I will analyze a selection of three artifacts from the franchise: the first Jurassic Park novel, the first Jurassic Park film adaptation, and...
    • Page 21

    •  
    • “WE SPARED NO EXPENSE” 21 older works which laud now-outdated technologies as “revolutionary” might quickly lose relevance and become passé to the point of hilarity, yet, as in the case of Frankenstein such works are still studied and discussed at...
    • Page 20

    •  
    • “WE SPARED NO EXPENSE” 20 The work of The Birmingham School further allowed scholars to more clearly apply Marxist theory in practice to artifacts of popular culture, rather than just analyzing “high” culture, as was more the norm. Previous...
    • Page 17

    •  
    • “WE SPARED NO EXPENSE” 17 and built upon the cultural reach of Marxist thought. During this time, cultural theorists looked more deeply at the cultural implications of Marxist theory, making the shift from the previously dominant economic focus....
    • Page 16

    •  
    • “WE SPARED NO EXPENSE” 16 justification of Marxist analysis, Marx describes the relationship between base and superstructure as mutually influential, that each element exerts some influence on the other. So, cultural artifacts, for example, have...

QuickView

Display a larger image and more item information when the pointer pauses over a thumbnail
 

Layout options:

Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK