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Display: 20

    • Page 17

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    • •Bernice Chee 'Mork B. Ch;pmon Charles C. Comeford 'Sco!I Leon Copeland 'Beverly Fern Crow 'Craig Dickin~on ·Kurt Richard Douglas • Jeon Draper 'Petrick Falvey 'Keith Corter Fenstermaker 'Drew Royce Hansen 'Rolph Kenneth Horris 'Donny Darrel...
    • Page 57

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    • “WE SPARED NO EXPENSE” 57 References Adorno, T. W. (1986). Aesthetic theory. (Robert Hullot-Kentor, Trans.) London: Continuum. Adorno, T. (2005). Culture industry reconsidered. In R. Guins & O. Cruz (Eds.), Popular culture: A reader(103- 108)....
    • Page 41

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    • “WE SPARED NO EXPENSE” 41 Technology as Nature’s Enemy The final theme focused on the reality of the park: that while the dinosaurs inhabiting it are living, breathing creatures, they are anything but natural. This theme particularly focused on...
    • Page 37

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    • “WE SPARED NO EXPENSE” 37 the dinosaurs?” Like any theme park, Jurassic World needs to make a profit in order to remain sustainable, and they do not shy away from corporate investors when it comes to their dinosaurs and their park. The people...
    • Page 13

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    • “WE SPARED NO EXPENSE” 13 Literature Review Marx, Consciousness and the Ideology of Art From the moment Jurassic Park’s protagonists meet, class is a visibly pronounced and crucial force driving the conflict in the narrative. Drs. Alan Grant and...
    • Page 53

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    • you do not like it, you do not eat. He also said that because we are doing a neat menu that includes local greens, cheese and honeys, the members would love it if the chef came out after the meal to meet everyone and tell them where he sourced...
    • 1901, cash account 4

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    • XCash Account. XFebruary.: 26 And God said let us make man in our image, after our likeness etc. Genesis 1. 27 So God created man in his own image, in the image of God created he him; male and female created he them. Gen. 1 2 And he lifted up...
    • 1898, cash account 13

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    • XCash Account. XAugust. 5 Oh I must cease my moaning My troubles meekly bear For there is one above us, That listens to our prayer. Chorus. 6 And on the day of reckoning When time shall be no more, He’ll take us up to glory, To...
    • Page 53

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 53 Appendix Three Your Suspense Toolbox Macro Suspense Suspense is what is going to happen next to your lead character and does it mean death to the hero. Each scene must end with suspense to keep the reader turning...
    • Page 42

    • Writing--Technique; Fiction--Technique
    • Writing the Great American Novel 42 Appendix Two Plotting by the Numbers Plotting Using Blake Snyder’s Beat Sheet Plotting by the Numbers Blake Snyder, a screen writer divided a screen play into different beats. I’ve changed the numbers so that...
    • Page 145

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    • Works and explained things to them as well as I could. Walker seemed very much pleased and interested with the Works Henry wrote a letter to George A. Smith on February 1I, 1853, telling of the conditions in Cedar City and describing the events...

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